Negotiating a price was another breeze. Donna refused Jerry’s offer of the same amount they had paid for the last place. “That’s ridiculous for this dump,” she assured him. “Use the saved money to do whatever you need to to fix it up. Gut it if you have to. I could care less. I’m never going to do it.” The compensation she did end up asking for as rent was so ridiculously low that Jerry knew Mary would have no choice but to be anything other than pleased with him.
Donna didn’t ask Jerry to sign any contract. She didn’t ask for any money up front. She shoved the golden key with the leather tag into his hand and held it there a moment, turning her large, brown eyes to his own. Her stare was stony but her hand was trembling. “You sure?”
Jerry nodded. “I’m sure.”
She shook her head, as if she couldn’t believe it. “It’s all yours,” she huffed. With that, she turned on her heel and made a beeline out of the theatre. Jerry Gatlin never saw her again.
He called Mary right away. He was honest about the state of affairs, that the place needed help, but she didn’t care. She was in shock that Jerry had come through with a space at all. “I was ready to tell the Board that we were going to have to call off the Fall production this year, maybe replace it with a small-scale fundraiser instead,” she admitted. They agreed to meet at the theatre at five, and the conversation was done. Jerry left it feeling far better than the day before. Not only had he had to endure Mary’s voice for a drastically shorter period, but she hadn't yelled at him, not once ounce of disappointment, no more words of him losing his employment. He did a little dance on the stage, unable to contain his excitement.
“So, you’re bringing back the Twilight Theatre, eh?”
Jerry stopped dead, a chill running down his spine. He felt the blood drain from his face and his hands and feet went numb. He looked out into the audience, where the voice had come from. A man was standing in the middle of the aisle. He was older, probably in his mid to late seventies. Jerry was too far away to tell how tall he was. He didn’t stand up quite straight. His clothes were a pallet of gray. Nothing special, but a pair of formless slacks and a cardigan sweater over a button up. His head was bare so his wispy, snow-white hair was exposed.
“How did you get in here?” Jerry’s voice was scratchy and weak. His mouth had gone dry.
“I saw the front doors open. There’s no cars outside. Wanted to come check and make sure no kids were in here vandalizing. Caught the end of your phone conversation. Sorry for eavesdropping. Is it as bad if I can only hear one side of the conversation?” He chuckled. His eyes twinkled when he did. “I guess it’s still eavesdropping though, huh?”
“I guess.” It was a little easier to talk that time. Jerry found that he liked this old man. His story was plausible, his voice was warm, he was nice enough. With the shock wearing off, he found that there was no reason to be afraid and managed to smile. The man smiled back at Jerry, then let his eyes begin to wander around the theatre. He looked hopeful. He turned back to Jerry with a glint in his eye. “This place has been waiting for a chance to hold performances again. Theaters weren’t meant to be empty. Stages should never be quiet. There’s too much energy. This stage put on some particularly great ones.”
“Did you see them when Donna’s great grandfather owned the place?” The old man must have been a small boy at the time, but would he really have been able to remember? Must have, cause he does.
The old man smiled. “And more. There were a few revivals after he died, but she may not have known about those. They were from before she moved out this way.
Jerry’s brow furrowed. “But… she said they closed it down after a woman died.”
“Ha!” It was not a happy sound. The smile died on the old man’s face as his expression turned to one of stone, “Several have died on this stage. Two women and a man. It was a woman the very first time and then many years later, during the revivals, was when the others came.”
“How did all these people die?”
The old man grinned, the light coming back to his eyes. "That’s a long story, my boy. What do you say you come join me in one of these seats here, and I’ll tell you all about it?" He walked down to the second row and picked himself a seat, leaving the aisle seat beside him for Jerry.
There was a fleeting moment where Jerry wondered if he should be afraid of this man. He’s an old man Jerry. What’s he gonna do?
Jerry jumped down from the stage and joined the man in the audience. Once he was sitting, the old man offered his hand. "I’m Marvin Edwards by the way."
Jerry accepted the hand, shaking it warmly. "Jerry. Jerry Gatlin."
"Now is that just Jerry or is that short for somethin'?"
"Technically short for Jeremiah but I prefer Jerry."
There was that grin again. "Well then, I'll call you Jerry if you call me Marvin. No Mr. Edwards here. Deal?"
"Deal." Jerry found himself returning Marvin's grin. He liked the old man more with each passing second.
Marvin stretched his arms over his head letting out a yawn before readjusting more comfortably. He turned back to Jerry, his expression more serious now. "Forgive an old man, but I need to start from the very beginning. To understand the deaths here you must know the whole story of the Twilight Theatre. Still with me?"
Jerry glanced at his watch. It was almost four. He still had plenty of time before Mary would arrive. "Let’s hear it. I love a good story."
"I’d hoped you’d say that." Marvin went silent a moment. He stroked his chin as he did what Jerry assumed was searching his brain for the perfect place to start. Or was it just for show? Jerry wondered how many people he had entranced with this particular story. That would be a question for later as Marvin cleared his throat and began.
“The Twilight Theatre opened its doors on October 10, 1947. The owner was young and hopeful, even after the war. Don't ask me how he did it. He was known to say he wasn't even sure how it all came together in the end. Between a small inheritance and his own hard work, he scraped together enough money together to bring his dream to life: a real, genuine theatre, right here in Treeline Village. It would be beautiful, intimate, a five star kind of place without the five star prices. Our own little slice of Hollywood or New York - not that he'd ever been to such places. Only in his dreams. Everyone assured him that this town was no place for a theatre, that he was wasting his money.
"Opening night was no packed house, but the handful that did show were surprised with the quality of the show they were given. The next night, the house was packed. It soon became the talk of the town. Over the next few years, the announcement of a new show was a town-wide event. Tourists started coming to Treeline Village just for the theatre. People would want to come and tour it even if there were no performances happening. There was just something about the place.
"Then everything changed. It was January of 1952 and rehearsals were in the beginning stages for the Spring show. All was going as it usually would until they arrived for practice one Tuesday evening. The leading lady, Bianca Lamark, had not arrived. This was unusual for her. She was known to always be early. She would arrive thirty minutes before practice to begin getting into character and go over her lines. This room seemed abandoned at first. They called out her name, wondering if perhaps she had just stepped backstage for a second. As it turned out, she had stepped backstage, but there would be no hearing her name. They found her just off to the side of the stage, obscured by the curtain. She could have been sleeping. There was no sign of a struggle, no evidence of her being stabbed or even beaten. Her body was unmarked, there were no stray pieces of set that could have fallen on her. She was barely thirty and had never been in poor health. The medical examiner could find absolutely no reason that she should have died.
"After that, people were put off by the theatre. Maybe if there had been some reason for her death, but the mystery was too much for many. She had been a huge draw to the theatre, one of the original actors in the troupe. It wasn't just the audience that was affected. It was hard to get anyone to audition after that. There was a rumor going around that there was some sort of curse. Perhaps the place was haunted. There were a million theories, and they only got more ridiculous as time went on. That's what happens when there are no answers. We as humans can't seem to accept the unknown so we have to come up with something, no matter how ridiculous, to explain it.
"The owner tried his best to keep the theatre open after that, but it was a false hope. By the beginning of 1953 the Twilight Theatre had closed its doors. The owner fell into a deep depression. He found other jobs, other ways to make money, but he never opened the theatre again. Still, he couldn't bring himself to sell it. Too much had gone into it. He didn't care if it rotted where it stood, never to be occupied again. He held onto it, and when he finally died of old age, he left a stipulation in his will that it was never to be sold, though it could be used should anyone desire to resurrect it as a theatre - but only as a theatre.
"It wasn't until over twenty years later that this place would see a performance again. A small theatre company, probably not much different from yours, started up in town. they approached Donna's uncle, who was in ownership of the place at the time. He had no qualms about renting the place out, was overjoyed, in fact, to be getting some extra cash. That was, until they reached their final dress rehearsal. That night, the cast arrived to find the director's body collapsed center stage. He was dead. Just as had been this case with Miss Lamark, there was no possible reason he should have died.
"They were jarred, understandably, but as a surprise to the entire community, the show went on. Albeit, they didn't open on the original night they had stated. That was too soon. Two weeks after the fatal dress rehearsal, they opened. It was June 25, 1976. The performance was fair. They had a decent turnout. It wasn't a full house but the community seemed to want to show their support after the tragedy, unlike after Bianca’s death. I think it helped that they were already in performances instead of just starting rehearsals. That night they had a cast party. It had been such a long road and for a few days it had seemed like it would have all been for nothing. Everyone was in high spirits. They didn't clear the theatre until midnight. As the last stragglers, the producer and the lead actor, were heading out, they realized it seemed there was one cast member left behind on stage. Assuming it had been a case of too much to drink, they went to help get their friend home.
"It had not had too much to drink after all. The cast member turned out to be one Michelle Yates, a seventeen-year-old and one of the youngest in the cast. No amount of shaking could wake her. The two had been buzzed, but when the producer found Michelle's pulse to be missing, he was almost instantly sober. Again, there was no reason for her to die.
“There were no more performances from that group. After the two deaths, there were no more performances here period. To be honest, I think it's Michelle's death people remember most when they think about this place. It seems it’s the youngest deaths that hit the hardest."
It took Jerry a moment to realize that Marvin had stopped speaking. He looked over to see that the man was staring off in the direction of the stage, but his eyes were glazed over. It was obvious his mind was far away. There was a deep sadness in that look. For some reason, the theatre's plight hit the old man hard. Jerry wished he knew just why the place meant so much to Marvin, but couldn't bring himself to ask. He wasn't sure if it would somehow be rude.
After a couple minutes, Marvin turned to catch Jerry watching him. He tried to smile, but the gesture was forced. "Sorry, Jerry. Forgive an old man for getting lost in his thoughts. Sometimes this reminiscing can get one caught up in memories, you know?"
Jerry wasn’t sure if he did know, but he nodded all the same.
Marvin held Jerry in his gaze, eying him. Jerry felt almost as if those eyes could see right into his soul. He found he couldn’t move, couldn't turn his own eyes from the old man, couldn't even speak. A chill ran down his spine and in that moment, he could have sworn that Marvin had looked into his soul.
"Jerry," Marvin hesitated. "I like you, Jerry. You've got a good heart. I mean, you've sat here and humored me by listening to my story. You didn't have to do that." He sighed, looking away for a brief moment as he thought about how he was going to word what he wanted to say next. He let out one more long sigh. "There is something I need to tell you, Jerry. It's very important." He wasn't making eye contact when he spoke this time. He kept his gaze steady on the stage. "You're not going to want to believe me when I tell you, and if you're going to or not is going to be entirely up to you. But whether you believe me or not doesn’t matter. What matters is that what I'm about to say is true." He turned back to Jerry now, his eyes wide, his mouth no more than a line. Jerry suddenly became aware of just how old Marvin really looked in that moment.
"What is it, Marvin?" Jerry pressed, his voice barely more than a whisper.
Marvin looked back to the stage. He waited another minute before he finally spoke. "This building resides on a place of power. Do you know what that means?" Jerry shook his head. "No, I didn't expect you to. There are many places of power in this world, Jerry. Hot spots that just can't be explained. It's too beyond our tiny, human minds. It's in a realm that we can't understand until we get there, and once we do, there's not usually a way to go back and warn the others. Not that anyone would believe it." He paused.
Jerry held his breath. What was Marvin getting at? Marvin returned Jerry's gaze. Jerry was sure that Marvin was quite aware how much he was leading him on. Still, he didn't get the impression that the old man was doing it because he enjoyed it. He looked too serious. There was something hiding behind those eyes. Jerry's first thought was fear, but how could that be?
The seconds dragged on but neither man could seem to break out of it. Finally, Marvin's voice cut through the bonds that held them in place. "There are bigger things than us, Jerry. Big things we'll never be able to understand. We can learn to live with them or not. Most times, we ignore them and call them something else in our denial. That doesn't change the truth." He was looking at the stage when he said this but now he turned back to Jerry. His eyes were big and wide.
You look like you’ve seen a ghost, passed through Jerry's mind.
"Jerry, the first night I stood in this theatre, I thought I was at the beginning of an era. I thought that I was starting the next big thing in this town - and for a while, it was. But, our darkest secrets have a way of coming back to bite us, whether the truth itself is what comes out, or something far worse.
"That first night that this place was truly finished - long before I let a single thespian inside - I wanted it to be just me and this beautiful creation. I wanted time to bond with every room, every floor board. I bit off more than I could chew. By the time I reached the stage itself, I realized I was going to get to know the place far more than I imagined was possible.
"I walked down the aisle, lights lining the walkway. The stage was lit up in all its glory while the rest of the house was dark. It was the place I had left for last to wander through. Everything smelled so clean, so new. There was a hint of fresh paint in the air.
"As I walked onstage, I felt my heart leap. It was as if I were in a production. I could almost hear the audience members as they waited in their seats with bated breath, trying hard to be quiet as they waited for the opening to the show. I reached center stage and did a turn to face my 'audience' giving them one sweeping bow.
"'Thank you, thank you,' I called out to them. 'Thank you for patronizing this beautiful theatre. You will not be disappointed'
"Their imaginary cheers were music to my ears. If this could truly be the rest of my life, I would die happy. This theatre was my dream. With it in my reality, what could ever go wrong?" He shook his head, his mouth scrunched up in distaste. "Don’t ever ask yourself that, boy. There is always something that can go wrong."
Jerry wanted to respond, wanted to butt in. This story had taken an odd turn, Marvin couldn't actually be insinuating that he was the one who had built this theatre, was he? That would be impossible. It was hard enough to try and form the words, but before Jerry was close, Marvin started his story once more.
"I couldn't tell you how long I stood up here fantasizing of the days to come, of the productions I would hold, the audiences that would fill the room. It was far longer than appropriate for a grown man, I'm sure. It was when I got a strange, prickling sensation crawling down my neck that I started to wonder if I was actually alone. It was enough to snap me out of my fantasy world. I turned behind me, but there was no one. I turned back around and stared out into the dark audience. The light from the stage cast enough light that I could see the dim outline of most of the chairs. All of them were empty. This time I heard a scuffle, a whiff of air behind me. I turned and still was faced with no one - or was I. At the back of the stage, the darkness seemed darker, more concentrated than it had before. Turns out, it wasn't darkness.
"I don't have words for what I met that day. Humans have come up with many things to call them - spirits, ghosts, demons, monsters - but none of those words seemed right for them. For the sake of conversation, I will call them beings. I can’t even tell you if it was more than one or simply one in the form of many. All I know is when they overtook me on that stage, they took me to another place, a place of darkness, a place of consciousness. I wasn't anywhere. My body had disappeared. But me, my soul, my mind, was certainly not where it had been before. They spoke to me, their voice both within me and all around me. A voice of one but many that gave me an order I couldn't refuse.
"It said, 'Another little man thinks he owns where he stands. Humans are so stupid in their petty land trafficking. You cannot sell what you do not own. You have stepped on me little man. I do not like being stepped on. The last human who occupied this spot did the same. As fast as I got rid of him now I have you. What am I supposed to do with you?'
"The entire time the being spoke without speaking, I felt a suffocating closeness as it seemed to wrap tighter around me, choking the air from not only my lungs but the space around me. With its last question I felt my windpipe being squeezed. I could barely comprehend what was happening. Was this a dream or was I really being killed by a being I could not see? My life flashed before my eyes and when I ran out of life to reiterate, my unfulfilled dreams came crashing into the void. I saw it all now, all the shows I had imagined, the lights, the thrill, the glory. All my silly fantasies to do with theatre both in and out of reality. It came with blinding clarity, shining far brighter than the dullness that was the life I’d lived. In a glorious finale, I saw it as I’d always wanted it to be. There I was after a successful production, audience packed and in full standing ovation. They continued to cheer, and the cast stood aside, waiting for me. The lights, brighter than I’ve ever seen stage lights shine, engulfed me as I took my final bow as not only theatre proprietor but producer. True ecstasy welled up inside me as I’ve never felt before, and to be honest, Jerry, I could have died in that moment.
"But that wasn't meant to be. As my daydream hit its crescendo, I felt the tightness release from my neck. Air rushed in and I could just faintly see the scaffolding above the stage. Yes, I was flat on my back center stage, but I wasn’t yet back from where the being had taken me. There was still a film of fog, the presence had not yet fully receded. Its voice came back to me, though with a hint of tenderness. It could have been whispering straight into my ear.
"'I have seen into your mind and in you I have seen more than any human could offer me. You have a choice, little man. I want a taste of it, what this 'stage' as you call it brings. That sweet nectar of emotion. I want to taste it, to feed on it. You will give it to me.' Though the creature was bodiless I felt it move closer, could sense it getting right in my face. 'Before you begin your next production - or any production for that matter - you, and anyone involved must let me in. A gift of blood. Right here on this stage. Just a drop, from everyone, and I guarantee you will always see success. But if not…. Then you shall suffer.'
"It was gone in an instant, faster than it had come. It left before I could ask it what it meant by "suffer". Not that it mattered. There was too much weight in that word. I didn't need clarification to understand that the being was not speaking lightly when it threatened.
I lay on that stage for a long time contemplating what had happened. Was it a hallucination? Was there any chance it could have been real? I assured myself it had been some kind of breakdown, an elaborate fantasy brought on by the realization that my theatre was finally complete.
"I spoke to no one about my encounter, yet it never left my mind. I could not walk into the theatre without turning to look at that spot on the stage. I could hear the being’s words in my head replaying every time I was alone.
"When the day came that I was approached by my friend, Harry Polk, the director who wanted to use my theatre first , the memory only burned brighter. Of course I couldn't say no. Not only was this my friend but this was the theatre’s purpose. This was what I had been waiting for.
"I danced on the edge of ignoring what had happened to me but I could hear that word suffer echoing through my mind all the while I spoke to the director. I knew him to be a man who would never believe in the supernatural. How was I supposed to convince him and the rest of the cast and crew to perform a blood sacrifice? The answer came to me just as I spoke it.
"'Harry,' I said. 'Call me crazy, but I have a favor to ask of ya. A lot of my blood, sweat, and tears went into this dream and as off the wall as it sounds, I wanna do something big and crazy to kick off this place’s first production. I’ve thought about it long and hard and people are gonna think I’m weird, but this is showbiz damnit and people in this line of work have to be a little crazy so… would you and the cast and crew be willing to let some blood on the stage for me?' Now of course that confused him at first. I had to clarify what that meant. He thought about it, broke into laughter, and finally clapped me on the back and said, 'Sure, Buddy. Just a drop? Why the hell not.'
"So we did it. Once the cast and crew was finalized, we gathered together onstage. We sat, all cross legged in a large circle that looped around the exact center. We each had a needle to prick one finger to extract that single drop of blood. The lights were all off except for one spotlight lighting the middle of our human circle.
"When we were ready to begin, I led the ceremony. I was the first to prick my finger and touch it to the stage, the rest followed suit. We did it in complete silence - the theatre was still, the night outside was calm - though I wasn't the only one who swore later that as we started giving the stage blood, it sounded as if a great wind had awoken, but it sounded as if it were coming from beneath us.
"No one spoke of that night. It was a solemn occasion and speaking of it seemed wrong. Even the few spare conversations we did have ended quickly. It made us all uncomfortable. Still, the show went off without a hitch. Had to add extra dates 'cause it was so good. And maybe it was the good run that did it, but the next production that came around, it was the same group, and no one argued another sacrifice to the stage. This continued.
“It wasn’t until the director changed that we had a problem. Orville wasn't pleased with the idea of giving blood to the stage. He was deeply religious and considered it blasphemous. I didn't argue it. More than anyone else I realized what we were doing. We were giving a piece of ourselves to a supernatural being in return for luck. It was only the highest level of blasphemy. So we didn’t do the sacrifice.
"I tried to play it like it didn’t make me nervous, but I couldn't completely hide my apprehension. I wasn’t the only one. I could feel the nerves during our first few practices… and then we arrived one night and our lead actress was dead. I think it clicked in many people’s brains at that point just how much that sacrifice meant. Some of them had a hunch before, even if they didn’t want to admit the extent of how true it was. This made it difficult to deny.
"So I’m warning you, Jerry, before it’s too late. If you want to use this theatre, to save yourself from the ultimate price, you have to pay homage."
It took Jerry at least a minute to realize that Marvin had stopped talking. It took him even longer to discover that his mouth was hanging open. He let it flop open and closed a few times as he tried to work out just how he was supposed to respond.
"So you're telling me you're the guy that started this place and that I’ve been talking to a ghost this whole time?"
Marvin nodded. "Yes. Though out of everything I’ve told you, I'm surprised that's what shocked you most."
"You just dumped a load of bullshit on me, Marvin. I'm just responding in chronological order."
It was Marvin's turn to be at a loss of what to say. He stared at Jerry. There was a sadness in his eyes. He opened his mouth, but it was Mary’s voice Jerry heard, calling from behind him. "Jerry? Jerry, you here?"
No comments:
Post a Comment